Call for posts

A few nights ago at dinner, a few of us sat around the table talking about music–what was playing over the restaurant-bar’s hip stereo, the changes in the way music reaches us (blogs and downloads versus radio and retail), and our favorite albums. We each talked a bit about an album or two that has been significant in our lives, albums we tend to experience only through “sequential listening”–moving track by track, in order, from start to finish, loving every song. We also lamented the shift away from this kind of music consumption via single-track downloads and shuffling. We wondered, do people still love albums?

Can you send me some thoughts on an album you love, one you have to listen to from start to finish? It can be from any era, any style of music, and your writing on it can be essayish, memoirish, lyric–whatever you want. The only stipulation I’m going to lay down is that I’d like it to be prose. No length min/max.

I hope to get a good chunk of responses by June 30. Drop me an email (charles.jensen at gmail dotcom) with your “essay,” a little bio, especially one that promotes a project you or your organization is working on (with links), and a photo if you want.

Please feel free to forward this on to anyone you think might want to participate.

Seven Kitchens Press ReBound Chapbook Series

Submissions are now being accepted for our second annual ReBound Series. Please read on for complete guidelines:

The ReBound Series expands the mission of Seven Kitchens Press to bring new and/or underappreciated writers to a broader audience by reprinting out-of-print chapbooks in select new editions. Each title in the series will feature an introductory foreword by a nominating writer (who will be given the opportunity to edit the introduction); self-nominations will not be accepted. As with all our titles, the authors (if available) will work closely with the editor in the production process; each chapbook will feature a full-color cover and ISBN, and will be printed in an initial set of 125 copies. (Subsequent printings will follow if the initial print run sells out.)

* The ReBound Series from Seven Kitchens Press will select one to two out-of-print chapbooks each fall to publish in new editions the following calendar year.
* Each chapbook submitted for consideration must be accompanied by a two- to five-paragraph nomination, completed by a writer other than the author. This nomination may be sent separately, and will be edited to serve as the introductory foreword to the winning chapbook(s).
* The reading period will extend from October 1 – December 15, and the selected title(s) will be announced in February of 2010.
* Each winning author will receive fifty (50) copies of his or her hand-trimmed, hand-tied chapbook. Additionally, the publisher will distribute ten review copies to reviewers, libraries, and organizations at the author’s recommendation.
* Nominated chapbooks may not exceed 27 pages in length (excluding front matter).
* Chapbooks published within larger bound works (i.e., as a section in a literary journal or as part of an omnibus volume) are eligible. Chapbooks published online are not eligible: we are looking to revive out-of-print work.
* Submit an original copy of the chapbook, along with a cover letter of nomination by a second writer. [NOTE: The nomination letter may be sent separately, but must be provided for the winning title(s) as part of the editorial process.]
* Chapbooks may be submitted by either the author or nominator, but must be accompanied by a $12 reading fee, payable by check to Ron Mohring or via PayPal to sevenkitchens at yahoo dot com.
* Do not include SASE or SAS postcard for acknowledgment; work received will be publicly logged by title and manuscript number on the Seven Kitchens blog.
* Manuscripts will not be returned. If you do not wish to send a rare copy of the chapbook, please send a clean, legible photocopy of all pages, including the front and back cover.
* Each manuscript must be accompanied by a signed statement from the author, nominator or literary executor, attesting that the work is out of print.
* Winners will be responsible for securing reprint permission from the original publisher within three months of 7KP’s winning announcement.
* Each entrant will receive one copy of the winning chapbook (if more than one winning title is selected, entrants may choose which title they would like to receive).
* Entrants are responsible for keeping the press apprised of changes in address or contact e-mail.
* Because of the nature of this contest, it is impossible to exclude work that may be previously familiar to the judge; however, every effort shall be made to select the finest representative titles from a wide aesthetic range. The goal of the ReBound Series is not to reward friends and acquaintances, but to bring deserving poetry titles back into print, where they will gain an extended readership.
* Send all materials to: Ron Mohring; Seven Kitchens Press; PO Box 668; Lewisburg PA 17837.
* Contest entrants may purchase a copy of the 2009 winner, Notes from the Red Zone by Christina Pacosz, at a special discount rate of $5 postpaid (simply add the $5 to your entry fee).

ABOUT THE SERIES JUDGE: Born in Cincinnati, Ohio, Ron Mohring received a B.A. in English from the University of Houston and an M.F.A. in Poetry from Vermont College. His chapbooks include Amateur Grief (Thorngate Road), Beneficence (Pecan Grove), The David Museum (New Michigan Press), and Touch Me Not (Two Rivers Review). His full-length collection, Survivable World, won the 2003 Washington Prize. Mohring’s honors include the Frank O’Hara Chapbook Prize; The Oscar Wilde Award from Gival Press; and the Philip Roth Residence in Creative Writing and Stadler Fellowship, both from Bucknell University. For six years, he served on the editorial staff of West Branch, first as an associate editor, then as fiction editor, and finally as interim editor prior to his departure from Bucknell in 2007. He is currently a visiting assistant professor at Lycoming College.


Anti-, a new poetry journal set to launch in early 2008, seeks submissions.

Send three to seven original, unpublished poems as an attachment (Word .doc or RTF) to antipoetry(at) (replace (at) with @) Either in the file or the body of the e-mail, include a cover letter with your name, contact information, a contributor-note biography of 50 words or less, and a statement of 50 words or less on what you’re against in poetry. This statement can be general or specific to your submitted poems, serious or tongue in cheek, broad or ridiculously minute. It needs to be something you want to appear on your page if we accept your work.

Anti- is not aesthetically affiliated with Nicanor Parra’s school of antipoetry, though the editor does share his skepticism about the supposed mystical powers of poetry. Anti- primarily stands against the confinement of poetry to too-small boxes. Anti- wants to provide a voice for a wide range of styles and ideas in the same space, so these different kinds of poets and poems can either fight it out or learn to coexist. We’re also interested in work that blurs boundaries: between verse and prose, traditional and cutting edge, humorous and scary, narrative and lyric and linguistically fragmented.

For full information and guidelines, visit