Glee is Joy

Last night’s “preview” episode of the fall TV series Glee was awesome.

It was fun, was well-written, had some compelling characters, and was–yes–a little moving.

It’s created by Ryan Murphy, who also brought us Nip/Tuck and Popular. Glee builds on a lot of the genius that was Popular, is savvy about high school power dynamics, both faculty and student.

If you never saw Popular, it was the show that developed Sara Rue, Tammy Lynn Michaels, Christopher Gorham, Leslie Bibb, and Wentworth Miller. It took place in a smallish high school where the rift between the haves and have-nots seemed irreperable until…the most popular girl’s dad marries the most “non-conformist” girl’s mom and the two mortal enemies are forced to share a house, a life, and worst of all–a bathroom.

Who didn’t love Tammy Lynn Michaels’s dastardly evil Glamazon cheerleader Nicole Julian, whose persecution of the less fortunate was as inspired as it was horrifying? Or Texan pageant queen Mary Cherry, whose slow murder of the English idiom was rivaled only by her enormous bee-stung lips and hypnotic eyes? And Lily Esposito (recently appeared in a “your butt called me” Blackberry commercial), whose impassioned activism for liberal causes encouraged her to briefly flirt with the liberal cause of lesbianism?

Popular was brilliant for its fearlessness and its willingness to upset the entire reality of its universe again and again. It was sincere and campy above all else. The mighty fell over and over, the meek inherited the earth (and had it taken from them a few episodes later). Bridges were burned and tentatively reconstructed, then burned again. It never failed to be enjoyable.

I have these same high hopes for Glee when it returns full-time in the fall.

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